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Stories Collection

- Henry McBride was an art critic with regular newspaper and magazine beats, at his pea...
- This is not a comic novel, though the dust jacket applies the word "hilarity." It is,...
- "Machines of the visible," they are often called in the burgeoning literature on visu...
- It was with a certain feeling of vindication that I boarded the plane to attend the 2...
- Chris Kraus' "novel" is a book not so much written as secreted. One is inescapably re...
- In the '70s, with the publication of her novels Corregidora (the story of Ursa, a blu...
- Like willful charges who have somehow slipped the leash, Stephanie, Rohan, and Camill...
- Anthologically speaking, this is the finest collection of libertine fiction (narrativ...
- Perhaps most people (I am one) agree with Tolstoy about literary fantasy. In 1909, To...
- GUGGENHEIM MUSEUM
The Guggenheim Museum has given Helen Frankenthaler a small show, "...
- August 12, 1916 was a mild day in Paris, with bright sunlight shadowed intermittently...
- These days, there's only one way to justify a novel about a pair of straight white me...
- METROPOLITAN MUSEUM OF ART
The painter Richard Pousette-Dart (191692) once said, in a...
- For all the performative aspects of Nan Goldin's Ballad of Sexual Dependency, there i...
- Kathy Acker - literary innovator, literary outlaw - died of cancer on November 30, 19...
- METRO PICTURES
For followers of Carroll Dunham's work, the notion that his art requir...
- "Where are the male Muses?" painter Monica Szabo asks a Provincetown gallery audience...
- All novels, Mikhail Bakhtin says, are about language. Narratives may engage, characte...
- Shortly before reading Florence Rubenfeld's life of Clement Greenberg, I speculated a...
- GAGOSIAN GALLERY
What I like about Cy Twombly's sculptures is the way they subvert al...
- X marks a spot in memory, terribly warped by imagination. It is a real place - as rea...
- Dorothy Allison's prose bites and lilts, creating little pockets of idiosyncracy whil...
- An excruciating compendium of banalities posing as "radical" filmmaking, the Austrian...
- A bookstore-browser's flip through this volume will tell you very little that you nee...
- I first read Love and Death in the American Novel shortly after it was published in 1...
- I am typing this review of Glenn O'Brien's collected essays with my left hand. With m...
- If only I had a cup of coffee . . .
I do not know why Elizabeth Murray paints cups, a...
- Even as Cindy, Julian, and David strove to animate their visions and project them int...
- "The pathological extensions of love not only touch upon but overlap with normal expe...
- The artist/musician Lydia Lunch has always obsessively searched for the love that's n...
- With exhibitions at the Cartier Foundation in Paris and San Francisco MoMA, gallery s...
- A man gets up as brusquely as a specter on a coffin and falls in the same way. He get...
- Suzanne Page generates a host of contradictory reactions. Some have described the dir...
- Remember the early arguments about how photography was not an art, the insistence tha...
- On April 30, 1961, The New York Times Magazine published five letters to the editor r...
- If there's one lasting impression left by the retrospective of Richard Diebenkorn's p...
- Despite evidence to the contrary, there is only one John Coplans. His singularity, ho...
- Like certain photographs by Robert Mapplethorpe and Andres Serrano, Sally Mann's imag...
- Anyone with serious interest in visual art needs to read this book: that is simply th...
- SAN FRANCISCO MUSEUM OF MODERN ART
If "Present Tense: Nine Artists in the Nineties" i...
- In his "site/non-site" projects of the late '60s and early '70s, Robert Smithson mapp...
- MARY BOONE GALLERY/DEITCH PROJECTS
Don't you hate it when the Times slams an artist y...
- "In the end, this work is not so much a portrait of the Poetics as it is an examinati...
- INSTITUTE FOR CONTEMPORARY ART
For the first time since the appearance of the Transav...
- A phone call from a friend in Milan brought the news that Gianni Versace had been sho...
- GAGOSIAN GALLERY
The Chapman Brothers' installation Six Feet Under, 1997 - featuring ...
- Here's a spot quiz. What do the cities Sao Paulo, Havana, Kassel, Munster, Venice, Sa...
- CHEIM & READ
Whither abstract painting? Richmond Burton gives us one convincing answe...
- Robert Gober took four years to make his new untitled installation at the Geffen Cont...
- DEITCH PROJECTS
Johan Grimonprez's Dial H-I-S-T-O-R-Y is a televisually stunning, mac...
- PAULA COOPER GALLERY, ACE GALLERY, MUSEE CANTINI
Since it is the mark of a truly grea...
- The title of curator Francesco Bonami's installment of the second SITE Santa Fe Bienn...
- FOTOUHI CRAMER GALLERY, P.S. 122
Karen Finley, force of nature. If you saw her in an ...
- MUSEUM BOIJMANS VAN BEUNINGEN
I am not a great fan of the fad for guest-curated exhib...
- Contributing to the general miasma of pseudocriticisms of art on the Web, Michael Kim...
- Los Angeles artists enjoy the unique yet dubious privilege of living in the lap of ma...
- "... Bigness is a theoretical domain at this fin de siecle: in a landscape of disarra...
- Some novels, for the purposes of retelling, elicit paraphrasing: detective tracks dow...
- Perhaps there's irony in the fact that some of the more interesting photographic book...
- It was almost like a fairy tale, it happened so quickly. One day France was on the ri...
- How does one become a monochrome? The four Art Make-Up films, made between 1967 and '...
- Virginia Woolf, Jane Bowles, Jean Rhys, Elizabeth Bishop, and James Schuyler are amon...
- Poor Margaret Drabble.
Once princess and heiress-apparent to the throne of British in...
- Perhaps there's irony in the fact that some of the more interesting photographic book...
- For the price of a tramway ticket, the Strasbourg commuter purchases not only a ride ...
- The powerful construction of the individualistic, isolated creative space, magically ...
- If Harold Brodkey had been a recluse, might he have been less of a pariah? It's hard ...
- Poor Margaret Drabble.
Once princess and heiress-apparent to the throne of British in...
- Perhaps there's irony in the fact that some of the more interesting photographic book...
- The '90s have never really declared themselves. Exceptions noted - Matthew Barney, fo...
- Over the last ten years Andrew Graham-Dixon has served as the art critic for The Inde...
- Talking with Muriel Spark
BF: In your new collection of stories, Open to the Public, ...
- Among the Jewish heavy-hitters of postwar literature, Bernard Malamud always seemed a...
- Valuing an artist and understanding the work are two very different things. It's like...
- Over the last ten years Andrew Graham-Dixon has served as the art critic for The Inde...
- In his introduction to Fantastic Tales: Visionary and Everyday, Italo Calvino notes a...
- "What we have here," said the young man to his companion as the latter fingered a cop...
- A goal of this year's installment of Documenta, alongside the attempt to cast a "retr...
- The key to a critic's method sometimes comes in a confession of failure. David Sylves...
- In his introduction to Fantastic Tales: Visionary and Everyday, Italo Calvino notes a...
- There should be a warning on the cover of Vitaly Komar and Alexander Melamid's Painti...
- I liked Steve McQueen's first New York show, and then I found that he has an exhibiti...
- Money, mental illness, sex, and art - what more could a poor little rich girl want? P...
- In his introduction to Fantastic Tales: Visionary and Everyday, Italo Calvino notes a...
- What gets you wet? And what does art have to do with it? In two separate collections ...
- Unlike nearly all his great Parisian contemporaries, Fernand Leger seems never in his...
- Move up close, back away. Now you see it, now you don't: "it" being, depending on you...
- In his introduction to Fantastic Tales: Visionary and Everyday, Italo Calvino notes a...
- What gets you wet? And what does art have to do with it? In two separate collections ...
- I LOVE PAPARAZZI. Perhaps I should qualify that statement. I know none personally. I'...
- It is well known by now how allusions to corporality, in particular to sexuality, hav...
- Ceci n'est pas une pipe is standardly used to designate a painting whose actual title...
- In his introduction to Fantastic Tales: Visionary and Everyday, Italo Calvino notes a...
- A vast field, but one that can be defined nonetheless: this field is made up of the t...
- I was introduced to Doug Huebler in 1968 by Seth Siegelaub, a soon-to-be former deale...
- Paris likes to brag about being the capital of African art, ahead of London, Tokyo, a...
- You're in a nightclub where you can't get a fix on the crowd, though the talk pulls y...
- There are no happy families. However close siblings become, the relationship between ...
- Perhaps there's irony in the fact that some of the more interesting photographic book...
- Between opening the Hyperbole Photography Studio in an East Village storefront around...
- The multiculturalism debate no longer dominates art-world conversations the way it on...
- Jack Smith always wanted to be a fashion photographer. None of his fashion photos hav...
- 4TH BIENNALE D'ART CONTEMPORAIN DE LYON
Putting together a big international survey i...
- There was a short time, late in 1963, when audiences for avant-garde cinema in New Yo...
- Organized to commemorate the twenty-fifth anniversary of the nearby Rothko chapel, "M...
- It was the end of a long summer afternoon in the early '60s and I was sitting with Ja...
- Helen Levitt may well be the most celebrated and least known photographer of her time...
- My first exposure to Jack Smith was Flaming Creatures, which I remember seeing more t...
- On the 24th of this month, Matthew Barney's Cremaster 5, the concluding segment of th...
- When Boris Groys decided at the beginning of the '80s to emigrate from the former Sov...
- Martin Kippenberger's magic always cast a powerful spell over his audience, sometimes...
- JARVIS ROCKWELL IN HIS STUDIO
Jarvis Rockwell's toy collection is housed in a suite o...
- The academic enterprise that goes by the name of cultural studies is by now a global ...
- A dead woman's body on the seashore, draped in a bright-green blanket; her bare legs ...
- Willful obscurantism, the elevation of the banal, and the ironic appreciation of tras...
- Still life. The very term brings a furtive tear to the eye - a tear of nostalgia, per...
- About ten year ago, the venerable New York alternative space P.S. I began to think ab...
- The cranky reaction of certain critics to the Keith Haring retrospective - in The New...
- BASILICO FINE ARTS
There can be no doubt about the incisive precision - worthy of the...
- ART & IDEA
In his native Spain, Santiago Sierra's stylish production took the form of...
- Last summer, as workers were putting the finishing touches on the Guggenheim Museum B...
- PAULA COOPER GALLERY
Tony Smith's Moondog, 1964, consists of extended polyhedral colu...
- LOMBARD FREID FINE ARTS
Though curator Catsou Roberts' stated aim in "Narrative Urge"...
- GALERIA CANVAS & CO.
Albuquerque Mendes came to painting after having been involved w...
- When Malcolm Morley was awarded the first Turner Prize in 1984, the British public co...
- BARBARA GLADSTONE GALLERY
Stephan Balkenhol revives the medieval genre of painted, ha...
- ART ET INDUSTRIE
Entitled "United," this engaging exhibition comprised six monumental...
- IVAM
While "Frederick Kiesler 1890-1965" suggested how arduous and ultimately futile ...
- Given the current popularity of "globalism," it's no surprise that the Johannesburg a...
- MARIAN GOODMAN GALLERY
Though Thomas Schutte and Stephan Balkenhol have much in commo...
- ANNA KUSTERA GALLERY
Cross Meret Oppenheim with Barbara Kruger and you come real dose...
- PALAZZO FABRONI
This Roberto Barni retrospective, which included paintings, drawings,...
- In one of the essays that follow, Dave Hickey invites us to imagine the '50s and '60s...
- SONNABEND GALLERY
In Hiroshi Sugimoto's seascapes, action, what there is of it, trans...
- P. S. 122
One of the more interesting performances this season was Claude Wampler's B...
- GALLERIA GALLIANI
A series of lightbulbs on the gallery wall lit up when anyone enter...
- Vik Muniz's Sigmund, 1997, is a five-by-four-foot color photograph of a drawing made ...
- LEHMANN MAUPIN
In the '80s, both the art market and the institutions that supported i...
- CORCORAN GALLERY
With the large number of Neri's works on prominent display at the Co...
- GALERIE CLAUDE SAMUEL
For more than a decade, Bracha Lichtenberg-Ettinger has borne w...
- James Lee Byars died in the Anglo-American Hospital in Cairo late on the night of May...
- "What can be the meaning and purpose of documenta today, at the close of this century...
- POSTMASTERS GALLERY
As noted in another publication, the title of Perry Hoberman's re...
- RENA BRANSTEN GALLERY
A recurring leitmotif of much recent art is a vision of childho...
- GALERIE LUIS CAMPANA
At first glance the gallery space seemed devoid of art objects, ...
- Valley of the dolls, to be reprinted next month by Grove Atlantic, was one kind of qu...
- Like many esteemed artists before him, Chris Ofili knows that shit's a great signifie...
- CASEY KAPLAN
Just do it. That's what Nike says. James White and Tim Sheward - former ...
- KOHN TURNER GALLERY
Bruce Conner's latest show conjured the ghosts of Edgar Allen Poe...
- GALERIE LUMEN TRAVO
The young Dutch artist Tiong Ang has worked in various media, inc...
- Weeks before the launch of the fiftieth Cannes Film Festival, the competition lineup ...
- When Tony Smith famously attempted in 1966 to come to terms with the radical changes ...
- PAOLO BALDACCI GALLERY
Like Donald Judd before him, James Hyde strategically shifts t...
- LACMA
The work of James Galanos rips apart the now-tired dichotomy of fashion/art at ...
- HENRY MOORE STUDIO
You're unlikely to find a sign saying "Do not touch" next to an in...
- As everybody knows, the best parties happen all by themselves. Nonetheless, the organ...
- As historians like to remind us, Venice is sinking. And if the Biennale is any indica...
- XAVIER LABOULBENNE GALLERY
In Marilyn Minter's new paintings "cosmetics" is the metap...
- S.L. SIMPSON
Robert Fones' latest show finds him mapping out fresh territory into his...
- Gifted ironists die hard. Which is why it's so painful to watch David Foster Wallace'...
- At once sublimely evanescent and maddeningly dysfunctional, Rome remains suspended be...
- CENTRE GEORGES POMPIDOU
The strange objects assembled by the exhibition "L'empreinte"...
- Popular music is both the most banal and most mysterious thing imaginable, and it's a...
- Critics with appropriate expertise tend to carp at occupational subset novels because...
- Institutions move forward by renegotiating their own history. Drawing on its legacy o...
- Contemporary art and the city of Naples haven't always gone hand-in-hand. To understa...
- JACK TILTON GALLERY
Matvey Levenstein's photo-based paintings address the perennial r...
- This biography has a lot going for it: an urbane, insightful author and a famously fl...
- "Originally I thought I would model the series after Plato's Dialogues but then I tho...
- "My life makes me laugh," Elia Suleiman writes in his notes to Chronicle of a Disappe...
- In December 1995, New York's Museum of Modern Art acquired the only complete set of C...
- SPERONE WESTWATER
When Bolognese artist Luigi Ontani first began to exhibit, in 1970,...
- Nan Goldin's much reprinted portrait of Cookie Mueller in her coffin is moving precis...
- "Originally I thought I would model the series after Plato's Dialogues but then I tho...
- Click on the projects icon on the Documenta Internet server (http://www.documenta.de)...
- As for techniques and processes, as seen in the works themselves, neither public nor ...
- BASILICO FINE ARTS
The most striking aspect of Liam Gillick's recent Discussion Islan...
- The international acclaim recently accorded Lucian Freud's painting is a fascinating ...
- "Originally I thought I would model the series after Plato's Dialogues but then I tho...
- Unless you've got an ISDN hookup, or even a T3, looking at art on the Web is still a ...
- Though Cai Guo Qiang emigrated to Japan in 1986 and now lives in New York, his recent...
- BOESKY & CALLERY
Even after poststructuralism's contestation of subjectivity and conc...
- The aim of Catherine Soussloff's book is to locate the artist, as cultural figure, in...
- "Originally I thought I would model the series after Plato's Dialogues but then I tho...
- Making like a cross between Mondo 2000 and Conde Nast Traveler, Business Week recentl...
- Casa Malaparte, 1938
In this ongoing series, writers are invited to discuss a contemp...
- MUSEUM OF MODERN ART
When Jean-Luc Godard showed producers a rough cut of his film Le...
- According to Deirdre Bair's biography of Samuel Beckett, the writer saw Joan Mitchell...
- "Originally I thought I would model the series after Plato's Dialogues but then I tho...
- Making like a cross between Mondo 2000 and Conde Nast Traveler, Business Week recentl...
- Legend has it that while out for a stroll artists Simeone Crispino and Stella Scala c...
- MUSEUM OF CONTEMPORARY ART
Had you visited the new MCA building in Chicago in the pas...
- Between 1990 and 1994 the Department of Graphic Arts at the Louvre made its holdings ...
- It's a good thing that Elaine Showalter left her job as TV critic for People magazine...
- Making like a cross between Mondo 2000 and Conde Nast Traveler, Business Week recentl...
- Sharing the prejudices of most New York art people, I had always located Braque on so...
- WALKER ART CENTER
As implied by the cover image of its catalogue - a bird's-eye-view ...
- The twentieth-century Chilean poet Vicente Huidobro wrote, "Flee from the external su...
- On the night of July 16, 1993, the Pavilion of Contemporary Art (PAC) in Milan became...
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